Smithson, Robert: Asphalt Rundown (1969)
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VICEVERSA
Aftermath is defined by a process of becoming, whether it is through physical transformations or intangible shifts in perception.
The existence of the self-sustaining utopia of ViceVersa is dependent on the ground of the pre-existing island. As the island is progressively excavated, the city itself grows vertically, becoming a membrane. Digitalisation and mechanisation eradicate the need for manual labor. In the presence of ultimate freedom, the inhabitants become gradually detached from the material existence of the island and lost in a hypnotic flânerie.
Aftermath in Variables: ORTHOPHOTO (2020)
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FARMING
New grass growing after mowing or harvest.
late 15th century (in aftermath (sense 2)): from after + dialect math 'mowing', of germanic origin; related to German Mahd.
Smithson, Robert: Asphalt Rundown (1969)
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Aftermath in Variables: Orthophoto Diagram (2020)
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Kohler, Gramazio: Rock Print (2015)
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Andrei Tarkovsky: Stalker (1979)
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Le corbusier: Modulor grid (1948)
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Aftermath in Variables: Land Analysis (2020)
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Aftermath in Variables: Land Comparison (2020)
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Aftermath in Variables: Agriculture Area (2020)
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Aftermath in Variables: Land Use in Comparison to ViceVersa (2020)
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Aftermath in Variables: ViceVersa Evolution (2020)
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Aftermath in Variables: ViceVersa Evolution (2020)
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Aftermath in Variables: ViceVersa Evolution (2020)
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Aftermath in Variables: ViceVersa Evolution (2020)
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Aftermath in Variables: ViceVersa Evolution (2020)
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Aftermath in Variables: ViceVersa evolution (2020)
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Aftermath in Variables: ViceVersa Section (2020)
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Hatakeyama, Naoya: LH23514 (from lime hills) (1988)
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Aftermath in Variables: Highlited Island (2020)
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Aftermath in Variables: Section Zoom In (2020)
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Charles, Emma: Fragments on Machines (2013)
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Aftermath in Variables: Highlighted Industries & Agriculture (2020)
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Aftermath in Variables: Section Zoom In (2020)
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Moser, Claudio: Jedediah Smith (2001)
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Aftermath in Variables: Highlighted City Garden & Algae Culture (2020)
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Aftermath in Variables: Section Zoom In (2020)
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FABLES OF ANOTHER TIME: ATLAS OF PLACES: UNTITLED XIX (2018)
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Aftermath in Variables: Highlighted City (2020)
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Aftermath in Variables: Section Zoom In (2020)
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Aftermath in Variables: ORTHOPHOTO (2020)
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Millet, Jean-François: Les glaneuses (1857)
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WENTWORTH, RICHARD: Making and Do and Getting By (1984)
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Wright Brothers: Bicycle shop in Greenfield Village (1892)
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- bike
- shopwindow
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Almarcegui, Lara: Guide to the Wastelands (2009)
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Lhuisset, Emeric: L'autre rive (2017)
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Almarceguí, Lara: Spanish Pavillion Biennale (2013)
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- fragments
- deconstruction
- gravity
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Almarcegui, Lara: Wasteland Rotterdam Port (2008)
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Within the horizons of chance, effects described by the useful terms serendipity and synergism play crucial roles. An adhocist dares and develops such risky effects as gambles, hopefully in his favor.
Wright Brothers: Aeronautical Experiment (1899)
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- bike
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This is the opposite of the ‘romantic ruin’. Because the buildings don’t fall into ruin after they are built but rise into ruin before they are built.
Gordon Matta-Clark: Splitting (1974)
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Dali, Salvador: Atomicus (1948)
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Penzias, Arno and Wilson, Robert: Holmdel Horn Antenna (1959)
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Marcel Duchamp: Fontaine (1917)
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By what then are montage and its embryo -the frame- characterized? By collisions. By the conflict of two fragments placed side by by side. By conflict. By collision.
Camillo Sitte: Urabn Planning according to artistic principles (1889)
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Smithson, Robert: The Monuments of Passaic (1967)
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Robert Smithson: Partially buried shed (1970)
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Duchamp, Marcel: Transport Large Glass (1915)
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Debord, Guy: Situationist map of Paris (1957)
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That is, the surprising and delightful moments when a new idea or invention results from the sudden and sucessful conjunction of old ones. In short, it focuses on that rare time when creation takes place, just after two or more elements are brought together in a new synthesis, the birth moment, the eureka flash.
Matta-Clark, Gordon: Food (1971)
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- food
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Peter Fischli David Weiss: Der Lauf Der Dinge (1987)
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PABLO, PICASSO: Bull's Head (1942)
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Rhone Glacier Switzerland: Blankets Reducing melt (2009)
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Brancussi, Eredi: Lascito Picasso (1955)
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- bike
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Even when the inventory is large, it remains limited. The bricoleur uses what is at hand because that is all that he has. His materials bear no relation to his task because they are themselves the result of previous constructions. Levi-Strauss refers to these materials as ‘preconstrained’.
Rowe, Collin: Wiesbaden (1978)
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California City: Skyview (1965)
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Matilde Travassos: Line In court (2019)
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Graham, Dan: Homes for America (1966)
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Lhuisset, Emeric: L'autre rive (2017)
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- Uploaded byDebons Claire, Kültür Yagmur
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Kaprow, Allan: Yard (1961)
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Naoya Hatakeyama: Takatacho Morinomae (2011)
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Chris, Burden: Exposing the foundation of the museum (1988)
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- excavated
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Aloise Corbaz: Abbé Bovet (1963)
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Eisenman, Peter: Memorial to the murdered jews of europe (2005)
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Wurm, Erwin: Narrow house (2015)
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McMillan, David: Chernobyl (2019)
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Khan, Idris: Toscany... The last performance (2008)
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Duchamp, Marcel: Large Glass (1923)
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Andrei Tarkovsky: Stalker (1979)
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Rossi, Aldo: Fagnano olona elementary school (1976)
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The terrible children who break away from their fathers and show off as bastards with perky achievements. They are innovators. The drivers of progress.
- AFTERMATH
Smithson, Robert
- VICEVERSA … Aftermath is defined by a process of becoming, whether it is through physical…
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
- ARGUMENT
- FARMING … New grass growing after mowing or harvest. late 15th century (in aftermath (sense 2)):
Oxford Dictionary
Smithson, Robert
Aftermath in Variables
- The quarries and the cities are like negative and positive images of a single photograph.
Naoya Hatekayama
Kohler, Gramazio
Andrei Tarkovsky
Le corbusier
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
- ISLAND
Hatakeyama, Naoya
Aftermath in Variables
Aftermath in Variables
- INDUSTRIES & AGRICULTURE
Charles, Emma
Aftermath in Variables
Aftermath in Variables
- CITY GARDEN & ALGACULTURE
Moser, Claudio
Aftermath in Variables
Aftermath in Variables
- CITY & DAM
FABLES OF ANOTHER TIME
Aftermath in Variables
Aftermath in Variables
Aftermath in Variables
Millet, Jean-François
WENTWORTH, RICHARD
Wright Brothers
Almarcegui, Lara
Lhuisset, Emeric
Almarceguí, Lara
Almarcegui, Lara
- Within the horizons of chance, effects described by the useful terms serendipity and synergism play…
Charles Jencks Nathan Silver
Wright Brothers
- This is the opposite of the ‘romantic ruin’. Because the buildings don’t fall into ruin after they…
Smithson Robert
Gordon Matta-Clark
Dali, Salvador
Penzias, Arno and Wilson, Robert
Marcel Duchamp
- By what then are montage and its embryo -the frame- characterized? By collisions. By the conflict…
Einstein Sergei
Camillo Sitte
- Both biological and cultural evolution proceed as much via exaptation as via adaptation.
Schumacher
Smithson, Robert
Robert Smithson
Duchamp, Marcel
Debord, Guy
- That is, the surprising and delightful moments when a new idea or invention results from the sudden…
Charles Jencks Nathan Silver
Matta-Clark, Gordon
Peter Fischli David Weiss
- The fact that man is capable of action means that the unexpected can be expected from him, that he…
Hannah Arendt
PABLO, PICASSO
Rhone Glacier Switzerland
Brancussi, Eredi
- Even when the inventory is large, it remains limited. The bricoleur uses what is at hand because…
Irene Scalbert
Rowe, Collin
California City
Matilde Travassos
Graham, Dan
Lhuisset, Emeric
Kaprow, Allan
Naoya Hatakeyama
Chris, Burden
Aloise Corbaz
Eisenman, Peter
Wurm, Erwin
McMillan, David
- Aftermath noun … the situation that exists as a result of an important (and usually unpleasant)…
Oxford Dictionary
Khan, Idris
Duchamp, Marcel
Andrei Tarkovsky
Rossi, Aldo
- The terrible children who break away from their fathers and show off as bastards with perky…
Sloderdijk, Peter
- We finally landed on the Isle of Freedom and burned the ship that took us there.
Sloderdijk, Peter