
unknown: ARCHITECTS DRESSED AS THEIR BUILDINGS at the Beaux Arts Ball (1931)
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Extimacy in Repetition/Difference: Blow-Up, Storyboard (1966)
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Antonioni, Michelangelo: Blow-Up (1966)
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Antonioni, Michelangelo: Blow-Up (1966)
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[Extimacy]
The repositioning of elements of private lives into public view to produce feedback.
The desire to reveal some aspects of the inner self.

Unknown: The Bathing Machine (1850)
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Svela shows a strong duality by its presence of deep interiority in its exteriority. Constant production, which gives form to desire and takes from desire its form, constructs central inner cores. Thus are revealed at its boundaries in the shape of facades. The facades create contours, places of protection and revealing. Svela is a city of forced encounters. One cannot be private in a public space.

Unknown: Terraced houses at Kensal Rise (1921)
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Antonioni, Michelangelo: Blow-Up (1966)
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Preti, Mario: Travel Notes, Las Vegas Strip (1968)
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Deleuze, Gilles: Assemblage of Desire (1972)
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Production
a work presented to the public
(as on the stage or screen or over the air)
the act or process of producing
total output especially of a commodity or an industry

Extimacy in Repetition/Difference: ORTHOPHOTO, ZOOM IN (2021)
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Alberti, Leon Battista: Santa Maria Novella (1470)
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Unknown: Via Garibaldi (1570)
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Unknown: Coats Coat Coat Store (1936)
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Unknown: Fortified town with moat (1650)
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Extimacy in Repetition/Difference: Repentir (2021)
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Extimacy in Repetition/Difference: REPENTIR ZOOM-IN (2021)
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Extimacy in Repetition/Difference: ORTHOPHOTO, ZOOM IN (2021)
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Feedback
The transmission of evaluate or corrective information about an action, event or process to the original or controlling source also: the information so transmitted.

Extimacy in Repetition/Difference: ORTHOPHOTO (2021)
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- TypeCartography
- desire
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Modern man is alienated from himself, from his fellow men and from nature. His main aim is profitable exchange of his skills, knowledge, and of himself. Life has no principle except the one of fair exchange, no satisfaction except the one to consume.

Sugimoto, Hiroshi: La Paloma (1993)
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Byström, Arvida: Time to Reflect (2019)
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Radul, Judy: Courtroom 20 (1992)
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Sailer, Gregor: The Potemkin Village (2017)
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Superstudio: Continuous Monument (1969)
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Walther, Franz Erhard: Schreitbahnen (1972)
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Franklin Ross, Michael: Beyond metabolism: the new Japanese architecture (1978)
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Norell/Rodhe: Clarice (2019)
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Vincent Associates: AI25S1T (Un-housed – w/ Shutter Attachment) (2020)
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Gotby, Catharina: No title, from the series People in mental hospitals (1989)
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Wexler, Allan: Coffee Seeks Its Own Level (1990)
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Extimacy in Repetition/Difference: Centrifugal Governor (2021)
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Wiener, Norbert: Cybernetics: Or Control and Communication in the Animal and the Machine (1948)
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Apple Maps: Bath (2021)
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Unknown: Victorian Mews (1967)
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Extimacy in Repetition/Difference: La discoteca Space Electronic (1968)
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Archigram: Plug-in City: Maximum Pressure Area (1964)
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DPA: Space Junk (2021)
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Brodsky, Alexander: Columbarium Habitabile (1989)
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- SemesterApollo
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one is vain, unreflective, insolently superficial, almost mute. It may have no inner life at all. As it morphs from small-town to worldly metropol, and surrenders to the forces of progress, it desires perfection: to show a facade, serene and smooth.
one has a tormented history. Several times it decayed, then rose again, always keeping the first facades as a desire of splendor. Everything that could be taken from where it came, was put in another place and produced for a different use. It was all there, merely arranged in a different order.
Only this is known for sure for the two: a given number of facades are shifted within a given space, at times submerged by a quantity of new products, at times worn out and not replaced; the rule is to shuffle then try to assemble them.
Stories of transformation and production, of what it means to see and to be seen.

Extimacy in Repetition/Difference: Drawing (2021)
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Extimacy in Repetition/Difference: Drawing (2021)
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Extimacy in Repetition/Difference: ORTHO PHOTO (2021)
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EXTIMACYunknown
![Antonioni, Michelangelo]()
Extimacy in Repetition/Difference
![Antonioni, Michelangelo]()
Antonioni, Michelangelo
![Antonioni, Michelangelo]()
Antonioni, Michelangelo
![Antonioni, Michelangelo]()
Antonioni, Michelangelo
- [Extimacy] The repositioning of elements of private lives into public view to produce feedback. The…
Tisseron, Serge
![Unknown]()
Unknown
- Svela shows a strong duality by its presence of deep interiority in its exteriority. Constant…
Extimacy in Repetition/Difference
![Unknown]()
Unknown
![Antonioni, Michelangelo]()
Antonioni, Michelangelo
![Preti, Mario]()
Preti, Mario
![Deleuze, Gilles]()
Deleuze, Gilles
- Production … a work presented to the public … (as on the stage or screen or over the air) the act…
MERRIAM-WEBSTER DICTIONARY
![AREDAL RUNDBOM, VERA, MEISEL, HANNAH]()
Extimacy in Repetition/Difference
![Alberti, Leon Battista]()
Alberti, Leon Battista
![Unknown]()
Unknown
![Unknown]()
Unknown
![Unknown]()
Unknown
![Aredal, Vera; Meisel, Hannah]()
Extimacy in Repetition/Difference
![AREDAL RUNDBOM, VERA, MEISEL, HANNAH]()
Extimacy in Repetition/Difference
![AREDAL RUNDBOM, VERA, MEISEL, HANNAH]()
Extimacy in Repetition/Difference
- Feedback … The transmission of evaluate or corrective information about an action, event or process…
Merriam-Webster Dictionary
![AREDAL RUNDBOM, VERA, MEISEL, HANNAH]()
Extimacy in Repetition/Difference
- ARSENAL
![Aredal, Vera; Meisel, Hannah]()
Extimacy in Repetition/Difference
- Modern man is alienated from himself, from his fellow men and from nature. His main aim is…
Fromm, Erich
![Sugimoto, Hiroshi]()
Sugimoto, Hiroshi
![Byström, Arvida]()
Byström, Arvida
![Radul, Judy]()
Radul, Judy
![Sailer, Gregor]()
Sailer, Gregor
![Superstudio]()
Superstudio
![Walther, Franz Erhard]()
Walther, Franz Erhard
![Ridley, Sott]()
Ridley, Sott
![Franklin Ross, Michael]()
Franklin Ross, Michael
![Norell/Rodhe]()
Norell/Rodhe
![Vincent Associates]()
Vincent Associates
![Gotby, Catharina]()
Gotby, Catharina
![Wexler, Allan]()
Wexler, Allan
![Aredal, Vera; Meisel, Hannah]()
Extimacy in Repetition/Difference
![Carpenter, Loren]()
Carpenter, Loren
![Wiener, Norbert]()
Wiener, Norbert
![Apple Maps]()
Apple Maps
![Unknown]()
Unknown
![GRUPPO 9999]()
Extimacy in Repetition/Difference
![Archigram]()
Archigram
![DPA]()
DPA
![Brodsky, Alexander]()
Brodsky, Alexander
- one is vain, unreflective, insolently superficial, almost mute. It may have no inner life at all.
Extimacy in Repetition/Difference
![Aredal, Vera; Meisel, Hannah]()
Extimacy in Repetition/Difference
![Aredal, Vera; Meisel, Hannah]()
Extimacy in Repetition/Difference
![EXTIMACY in repetition/difference]()
Extimacy in Repetition/Difference











































