trouvelot Leopold, Etienne: electric discharges (1888)
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Limit in Repetition/Difference: The Limits of Control, Storyboard (2009)
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Limit in Repetition/Difference: The Limits of Control, Discharge (2009)
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De Maria, Walter: The Lightning Field (1977)
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Apple: iCloud (2011)
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- Uploaded byHelfer, Guy & Speranza, Chidi
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Ruff, Thomas: jpeg ny02 (2004)
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Dillier, Elizabeth; Scofidio, Ricardo; pic. Widmer, Beat: Blur Building (2002)
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Limit in Repetition/Difference: Translating the City (2022)
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The experience of the city is no longer that of a long life developing through, but that of a network that exchanges and intersects. MORPHIS overcomes the epoch of history - with its themes of development and of suspension, of crisis and cycle, of the ever-accumulating past - It is the city of simultaneity, of juxtaposition, of the near and far, of the side-by-side, of the ever changing urban composition.
Limit in Repetition/Difference: Closeup Morphis (2022)
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Limit in Repetition/Difference: Closeup Morphis (2022)
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Limit in Repetition/Difference: Closeup Morphis (2022)
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Limit in Repetition/Difference: Data Receiver (2022)
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I believe in the city of the future recomposed. In truth the recomposition does not seek a single, overall design but the liberty of a life of its own, a freedom of styles. A city that is free.
Limit in Repetition/Difference: Morphis (2022)
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Cook, Peter: Tower Elevation For Montreal Expo (1963)
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Woods, Lebbeus: Epicyclarium Generative Geometry (1984)
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Agentur Umsicht: Switzerland at Night (2016)
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The term "cloud" dates back to early network design, when engineers would map out all the various components of their networks, but then loosely sketch the unknown networks (like the Internet) theirs was hooked into.
Gaudi, Antoni; Burry, Mark et al.: Computer Geometry (1882)
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Novak, Marcos: Soft Babylon (1990)
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Novak, Marcos: Everted Scapes (2003)
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Arcimboldo, Giuseppe: Summer (1563)
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Buckminster Fuller, Richard: Dome Over Manhattan (1960)
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Woods, Lebbeus: War and Architecture (1993)
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- noise
- interference
- Uploaded byConnolly, Liam & Leuppi, Vinzenz
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It is not enough for architecture to think about the temporalization of space; it must face the spatialisation of time. Even moments need a setting – physical, digital – and this might be architecture.
Limit in Repetition/Difference: Drawing (2022)
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- Uploaded byHelfer, Guy & Speranza, Chidi
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Ivanovic, Milenko: Farnsworth Machine (2002)
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- Limit
trouvelot Leopold, Etienne
Limit in Repetition/Difference
Limit in Repetition/Difference
De Maria, Walter
Apple
Jarmusch, Jim
Ruff, Thomas
Dillier, Elizabeth; Scofidio, Ricardo; pic. Widmer, Beat
Limit in Repetition/Difference
- The experience of the city is no longer that of a long life developing through, but that of a…
Limit in Repetition/Difference
Limit in Repetition/Difference
Limit in Repetition/Difference
Limit in Repetition/Difference
Limit in Repetition/Difference
- I believe in the city of the future recomposed. In truth the recomposition does not seek a single…
Rossi, Aldo
Limit in Repetition/Difference
- Arsenal
Cook, Peter
Woods, Lebbeus
Agentur Umsicht
- The term "cloud" dates back to early network design, when engineers would map out all the various…
Rosen, Rebecca J.
Gaudi, Antoni; Burry, Mark et al.
Novak, Marcos
Novak, Marcos
Arcimboldo, Giuseppe
Buckminster Fuller, Richard
Woods, Lebbeus
- It is not enough for architecture to think about the temporalization of space; it must face the…
Bouman, Ole
Limit in Repetition/Difference
Ivanovic, Milenko