PIRANESI, GIOVANNI BATTISTA: FORMA URBIS ROMAE (1756)
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[The threshold] is a zone shaped by precise tectonics, a region of cognition. Passage and peristyle, pronaos and portal, entry and vestibule, triumphal arch, sacred and profane […]: these lines, imaginary and tectonic, do not create boundaries, but the between, a space in the middle. The form of the threshold, as a temporal and spatial figure, is that of the “between-the-two,” of the medium that opens between two things.
Decay in Repetition/Difference: Biblioteca Medicea Laurenziana (1571)
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Rutherford, Ernest: The exponential decay of radium emanation and the regeneration of radium (1903)
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decay (v.)
the spontaneous disintegration of a particle or nucleus
disintegrate (v.)
breaking up of something into parts or fragments, so that the wholeness of the original is destroyed
[...] for any system closed to all transfers of matter and energy, the mass of the system must remain constant over time, as the system‘s mass cannot change, so quantity can neither be added nor be removed. Therefore, the quantity of mass is conserved over time.
Google Earth: Detroit, Urban Sprawl (2020)
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Texier, Edmond: Tableau de Paris (1852)
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Decay in Repetition/Difference: Ludwig Mies van der Rohe, Farnsworth House (1951)
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Decay in Repetition/Difference: Ludwig Mies van der Rohe, Farnsworth House (1951)
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This divided body, which can only be experienced in its wholeness through the passage of the individual boundaries, no longer knows an inside and an outside, but only a permanent middle-in, no longer a boundary, but only possible margins, no transition, but only a permanent passage.
Limes is a city of fragmentation. Made from a multitude of thresholds the city can only be understood and experienced through motion. The start and finish lose importance and fade as the city’s only constant is change. Constantly passing, the inhabitants never settle, loosing themselves in the experience of the in-between.
Decay in Repetition/Difference: Zagreb Airport (2017)
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Spielberg, Steven: Terminal (2004)
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Decay in Repetition/Difference: Orthophoto (2021)
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Decay in Repetition/Difference: Drawing (2021)
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Sirgent, Emily: Judge Harry Pregerson interchange Los Angeles (2013)
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Dunn, Gavin: London Underground (1989)
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UNKNOWN: Underground Tubes, London (1908)
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Decay in Repetition/Difference: Threshold Collection (2021)
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Decay in Repetition/Difference: Drawing (2021)
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OMA: Interior view of the EuroDisney Hotel, Marne-la-Vallée, France (1988)
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Decay in Repetition/Difference: Thresholds in Stalker (1979)
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- DECAY
PIRANESI, GIOVANNI BATTISTA
Decay in Repetition/Difference
- The threshold (die Schwelle) must be sharply differentiated from the border (die Grenze). The…
Benjamin, Walter
- Threshold (n.) The point or level at which something begins or changes
Merriam-Webster
- [The threshold] is a zone shaped by precise tectonics, a region of cognition. Passage and…
Teyssot, Georges
Decay in Repetition/Difference
Rutherford, Ernest
- decay (v.) the spontaneous disintegration of a particle or nucleus … disintegrate (v.) breaking up…
Collins English Dictionary
- [...] for any system closed to all transfers of matter and energy, the mass of the system must…
Wikipedia
Google Earth
Texier, Edmond
Decay in Repetition/Difference
Decay in Repetition/Difference
- This divided body, which can only be experienced in its wholeness through the passage of the…
Decay in Repetition/Difference
- Limes (n.) 1. an ancient Roman frontier fortification … 2. the value that a function (or sequence)…
Oxford Languages
- Limes is a city of fragmentation. Made from a multitude of thresholds the city can only be…
Decay in Repetition/Difference
Decay in Repetition/Difference
Spielberg, Steven
Decay in Repetition/Difference
Decay in Repetition/Difference
- ARSENAL
Sirgent, Emily
Dunn, Gavin
UNKNOWN
Decay in Repetition/Difference
Decay in Repetition/Difference
OMA
Decay in Repetition/Difference