The spectacle which inverts the real is in fact produced. Lived reality is materially invaded by the contemplation of the spectacle while simultaneously absorbing the spectacular order, giving it positive cohesiveness. Objective reality is present on both sides. Every notion fixed this way has no other basis than its passage into the opposite: reality rises up within the spectacle, and the spectacle is real. [...] Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior.

Debord, Guy: Society of the Spectacle (1967)

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