Displayed in themselves, emptied of all resemblances, cleansed even of their colours, visual representations will now at last be able to provide natural history with what constitutes its proper object, with precisely what it will convey in the well made language it intends to construct. This object is the extension of which all natural beings are constituted an extension that may be affected by four variables. And by four variables only: the form of the elements, the quantity of those elements, the manner in which they are distributed in space in relation to each other, and the relative magnitude of each element.

Foucault, Michel: The Order of Things (1966)

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