In front of the door of the house built at the foot of alpine pastures, a little girl of three is playing; as a birthday gift yesterday, she received a cream pink doll with green pants. Behind her, the calm facade with stone lintels still shines with the ochre paint applied with a great deal of effort back when the hay harvest abounded seven years ago. Her grandfather built the metal shed to the left of the main building, itself constructed at the beginning of the last century on the ruins of an old windmill erected in the location of an ancient monastery set up long ago on the premises of a temple - whether Roman or Gallic, we have forgotten - in front of rocks moved by a thousand-year-old flood on the part of this dancing and malicious torrent whose course is dug into the Jurassic strata of the mountains enclosing the semicircular horizon beneath snows said to be eternal.

Serres, Michel: The Incandescent (2018)

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