VOLUPTAS

It is no longer the island that is separated from the continent, it is humans who find themselves…

In such a society the basic problem is no longer production but rather the creation of sufficient…

NIMIS [ˈnɪ.mɪs]; ne- + the root of metior; not comparable. _ Too, too much, excessively.

variable … adjective … 1a : able or apt to vary : subject to variation or changes variable winds…

Here landmarks is entirely prosaic. [...] Thus each district is collected in the void of its…

Here, on the contrary, domiciliation is sustained by no abstraction. (…) This city can be known…

For there to be a mastery of the real (in this case the reality of adresses), it suffices that…

The streets of this city have no names. There is of course a written dress, but it has only a…

Babel of arcades and stairways, It was a palace infinite, Full of basins and of cascades … Falling…

I think that from Baudelaire I learnt (...) the sordid aspects of the modern metropolis, the…

I go alone to try my fanciful fencing, Scenting in every corner the chance of a rhyme, Stumbling…

STATEMENT … There is no reuse, repair or recycling. Abandoned structures are completely left to…

CONSTITUTION … The citizens of Entropolis always strive to shape all their actions in such a way…

[...] This is the opposite of the "romantic ruin" because the buildings don't fall into ruin after…

Because environmental contingencies are associated with extrinsic moti­vation, perceived freedom…

In the measurement of any physical system, there are macroscopic and microscopic variables to be…

Displayed in themselves, emptied of all resemblances, cleansed even of their colours, visual…

Silence that dreadful bell: it frights the isle from her propriety.

The Theatre of the Absurd is a theatrical embodiment and manifestation of existentialism. It is…

Man, the bravest of animals, and the one most accustomed to suffering, does not repudiate suffering…

Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in…

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is…

[...] the nomad goes from point to point, only as a consequence and as a factual necessity; in…

In smooth space, the line is therefore a vector, a direction and not a dimension or metric…